Let us go out – you & I…

Critics argue that you & I are two sides of one & the same person. Eliot says that “YOU” is a companion of Prufrock. We should pay attention to the epigraph: “The truth will remain under”. This means that the speaker can persuade himself to talk only if this will never be heard. It is his own dramatic monologue. Prufrock is intensely preoccupied with himself. Probably he signs his love song to himself… (though it doesn’t matter much)

We can understand “love-song” in ironic sense because the whole poem is an elaborate rationalization for not seeking love. Love cannot exist in this ugly senseless chaotic world. It is a miracle, hopeless yearning of person for the vitality. The whole scene makes us see that love is not possessive in this world. Repulsive attitude of the narrator towards what he sees – images of a pair of ragged claws, mermaids singing each to each. Leitmotif:

В гостиных дамы тяжело

Беседуют о Микеланджело.

It means that they talk of what they pretend to know.

The poem is full of allusions. The epigraph is quite important, taken from Dante’s “The Divine Comedy”. The end of poem is pessimistic. It is one of the most understandable of his poems.

“The Waste Land” (the poem (1922) in ”Dial” & “Criteria”[GB]). The poem consists of 5 parts & their titles speak for themselves:

“The Burial of the Dead”

“A Game of Chess” – an allusion of a medieval play, where the action was as if in two playings.

“The Fire Sermon” – the postulates of oriental religion.

“The Death by the Water”

“What the Thunder Said”

In terms of forms the poem is a collage of fragments of memories, overheard conversations, quotations put together only by the implied present of a sensible person (= a refined sensibility = a modern poet), upon whom all these complexibilities & varieties of human world are hipped & who staggers under the burden of them. We can say that the mind of the poet is heavily packed with cultural tradition. A poem abounds in highly sophisticated allusions:

· “The Tempest”

· Anthropological account of “Grail”(“Грааль”) legend– a legend connected with Christianity – a cup from which Christ drank;

· from “The Divine Comedy”;

· alluded & used words from operas of Wagner;

· refers to the story of crusification;

· uses French symbolists;

· as well as scraps of popular culture – music-hall songs, slang words, contemporary fashion;

He hips everything together. This bits & pieces are set into a matrix of flowing stream of consciousness of a man. The dramatic portrait of a single mind becomes the portrait of an age. Eliot provided 52 notes for “The Waste Land” when it was first published. The poem was opposed violently but there were also admirers. They said that Eliot gave a definite description of their age. Now terms “lost generation”, “post-war disillusionment”, “jazz age”, “waste land” are used parallelly For many contemporary writers & critics “The Waste Land” was a definite description of the age. Civilization was dying. Critics regarded it as the disillusionment of a generation. Eliot protested against that. The term “waste land” is used in literature alongside with the term “lost generation”.

He also employed the myth of dying & reviving king – what the poem expresses is the need of salvation & this is expressed in 3 Sanskrit words (give, sympathize & control). There are many barbarisms in the poem.

In 1925 he published another poem in the same tonality. “The Hollow Man” develops the major themes & images of “The Waste Land” – problems of spiritual bareness, the problem of loss of faith in contemporary generation. The poem is a set of recurrent symbols. The meaning depends on cumulative effect of the individual images. The idea of spiritual sterility in the image of Hollow Man – grotesque caricature of man, their behaviour is mimicry of human activity. The poem is very short. It is easily read but not so easily understood. There are 5 parts in the poem. Other images – Death of the Kingdom. The life of the Hollow Man – is more shadowy & less real than the life beyond the grave. Religion is substituted by simple rituals devoid of all true feelings & emotions. The end-of-the-world (apocalyptic) motive is very strong in the poem. The picture is very pessimistic. The poem ends hopelessly:

This is the way the world ends,

Not with a bang but a whimper…

Eliot’s development after “The Waste Land” was in the direction of literary, political, religious conservatism. Classicist in literature, royalist in politics & Anglo-Saxon in religion he developed more composed lyrical style.

His mature masterpiece is “Four Quartets” (1944) which is based on the poetic memories of certain localities of America & Britain. This is a starting point for his probing in the mystery of time, history, eternity, the meaning of life. It deals with one single question of what significance in our lives are ecstatic intense moments when we seem to escape time & glimpses of supra-ordinary reality (it resembles Joyce’s “Epiphanies”. There are two epigraphs that give clues to the answer. The epigraphs are very important.

The first comes from Heroclitus. It contrasts the general wisdom of the race with moments of private individual insight. It shows the dualism of individual existence. First of all individuality is apart of a body of mankind, located in history & tradition. Secondly, it is a unique personality. Each person embraces both & this predetermines the reaction to intense moments.

The second is short – “The way up & the way down are one & the same”. This is another duality, two ways of apprehending the truth. The first one is an active embrace of ecstatic experience (the way up), the second one is a passive withdrawal from experience into self (the way down).

The poem got a reputation of a great obscurity due to a philosophical richness but at the same time it is intensely musical. He tries to make it closer to music by the motives that return like the tones in music. It is not by chance that the poem is called “Four Quartets” – 4 instrumental voices in the quartet. In his essay “The Music of Poetry” he explained this usage of recurrent things.

From 1926 he experimented with poetic drama “The Cocktail Party”. But his dramas remain unpopular because drama needs plot.

Eliot received the Nobel Prize for literature in 1949 as recognition of his innovations in modern poetry. He also wrote critical works “The Sacred Wood”, “The Use of Poetry & the Use of Criticism”,“On Poetry & Poets” – most influential literary documents.

David Herbert Lawrence (1885-1930)

Lawrence was very much influenced by Freud’s conception of human personality. He is considered to be a modernist but he didn’t experiment with form. On the outside he worked within the confines of English novel tradition but he broke from the understanding of human relations that were accepted in critical realism. He was the first who touched upon the problem of marrying, the relations between sexes, he didn’t hush down the contradictions between them. His main concern was to liberate a person from all the constrains which were put by the society upon him. There was so much taboos, hush-hush attitudes to this topic, that …